Reading at the Tuesday Funk

I’ve been away. Mostly writing, writing hard, like a veritable pony express rider — nay, Pony Express Writer. Bringing the words ‘cross the plains, people.  Soon — after contracts have been signed, etc. — I’ll be able to explain what I’ve been working on.

But meanwhile, can I talk about my website redesign? I hired my son to move all the content from my old website to this blog. Which brings us to the first rule of Website Redesign:

First Rule of Website Redesign

Nobody cares about your website redesign.

Related Rule

Nobody cares about your new smart phone.

Meanwhile, can I tell you what a wonderful time I had in Chicago recently? The World Science Fiction Convention was there, in my home town*, and I got to see so many good friends and meet new people. But the best part was doing a reading at The Tuesday Funk, a monthly reading series run by Sara Ross Witt and good friend Bill Shunn. Bill composes a poem for each Funk, which on the night I participated was this EPICALLY PROFANE EPIC POEM “Grand Motherfucker”. Please listen.

I also got to share the stage with pals Adam Rakunas (who read this excerpt from “The Right People” one of my all-time favorite stories), and Rae Carson (who read this excerpt from an upcoming book which I know will sell gazillions of copies — she’s great).

And here’s what I read, a short story called “Persistence.”

Good Good Reviews

Last month over at the SF Signal Mind Meld, the question was, What makes a good genre review? I held forth on my three wishes for better reviews: I want more context (telling me what the book is saying in relation to other books and the culture), I want some discussion of the prose itself (with excerpts, please), and (especially) I want reviews that are well written. Is that too much to ask?

I guess not. The universe answered in the best possible (and most ego-pleasing) way:  with James Sallis’ review of Raising Stony Mayhall, in the May/June issue of The Magazine of Fantasy and Science Fiction. The review is extremely positive (that’s the ego-pleasing part), but it also fulfills my three wishes.

First he talks about the book in terms of where it fits in terms the genre, and how he deals with students who come across a genre book and say they “don’t usually read this sort of thing”:

Nor will many claims bring a more impassioned response from me than “Well, this isn’t really science fiction (or a mystery, or a western), is it? This transcends (or deconstructs, or suberts) the genre.”

Draw them guns, partner, you better be ready to open fire.

He goes on to talk about why he doesn’t read much zombie fiction, because zombies are “Your basic one trick, or half a trick, pony.”

Well, not if the zombies have the good fortune of being in Daryl Gregory’s blazingly intelligent novel that doesn’t subvert or transcend or deconstruct one damn thing but instead, as all great writing does, honors and fulfills its heritage.

Wish #1: Check.

Sallis goes on to quote the opening page of the novel, and after that, a few more sentences as well, talking about what he likes about the prose. Wish #2: Done and done. But even more pleasingly (but not surprisingly– Sallis is an excellent writer, probably more famous now for having written the novel behind the also excellent movie Drive)  the way he writes about the book makes me want to read my own novel. That’s Wish #3 to retire the side. I’m a lucky man.

Other review news:

In Episode 10 of the SF Squee Cast, Seanan McGuire delivered a blush-inducing review of Unpossible and Other Stories. I only learned later that I’d met Seanan at Bill Willingham’s party at the San Diego Comic Con… and ignored her.  Even though she tried to talk about my book Devil’s Alphabet. WHAT?! First of all, I feel terrible. Second, I can’t believe I passed up a chance to talk about my own book with someone who wanted to hash through the weird genetics in that novel.

Last, I came across a lovely review of Raising Stony Mayhall on Geek Speak Magazine. In their “Recommended” status they rated it “Hell yes!” But here’s my favorite paragraph, which comes at the end:

Geek Speak’s Brad Crammond had the nerve – the nerve, I say! – to skim through this and call it “Jodi Picoult with zombies”, and while I take exception to his dismissive tone, I don’t entirely disagree. This novel doeshave some elements of the tear-jerking saga about it, and I won’t deny there were tears for me in here: many. But every single one of them was worth it, and the novel’s thought-provoking ending has stayed with me in all the months since first I read it, and often comes to me at quiet moments, when I am contemplating the vast complexities of life, the universe and everything. Indeed, if the job of speculative fiction is to make us think, then all I can say is this book is due for a stellar performance review and a hefty Christmas bonus, because think I did… and still am.

Carlos Magno is Lord of the Apes!

Planet of the Apes #10 is out in stores this week, and Carlos Magno, the genius behind the artwork, just KILLS IT in this issue. There’s a huge battle, and Carlos crams the pages with awesomeness.  Dafna Pleban, our editor on the book, just posted one of the panels, which spans two pages.  She then got everyone in the BOOM! office to try to count how many apes, humans, and horses Carlos had fit into that one panel — but only Carlos knows the truth.

Click on the pic to see their analysis:

And for the record? The description for panel 3 is TWO SENTENCES.

I love being a writer. And thank God for Carlos.

E-Possible: Unpossible now on Kindle

Hey folks, just a quick note to say happy holidays, and to tell you that thanks to the work of Patrick Swenson, publisher of Fairwood Press,  Unpossible and Other Stories is now on Kindle: http://tinyurl.com/unpossible-amazon  It will be out on Nook soon as well.

UPDATE 12/30: The Nook version is now available on Barnes & Noble: http://tinyurl.com/unpossible-bn.

And did I mention that they’re both only $5.99?

Now I’m going to go back to eating, drinking, and playing World of Tanks.

Criminally Overlooked Books of 2011: Unpossible is Guilty

So Deb Coates (a pal and fantastic writer who has her first novel coming out next year), was browsing Huffington Post, and came across this article, reposted from Flavorwire: “The Most Criminally Overlooked Books of 2011.” And hey, Unpossible and Other Stories is on the list! I’m flattered, but now I feel weird, because I think this makes Raising Stony Mayhall twice as overlooked. Maybe there’s another list out there. Books So Overlooked It’s Not Even Criminal, It’s Just Sad.

On the other hand, the books in that list sound very cool. More reading to do this winter break…

Unlaunching Unpossible

The cover, from Antonello SilveriniTomorrow I leave for my favorite con, the World Fantasy Convention in San Diego. I’ve got a couple cool things planned, most of them involving eating and drinking with good friends. SO looking forward to this.

At the con we’ll be launching Unpossible and Other Stories, my first collection of short stories, including two never-before-published shorts. I am SO proud to have an introduction from Nancy Kress, a cover by Antonello Silverini, and everything else from Patrick Swenson of Fairwood Press. The book is the usual eclectic mix of science, superheroes, and general weirdness, including the world’s only graphical sinus story.

A couple activities:

Happy Hour: On Friday, from 4-6pm, I’ll be hosting a little party to celebrate the launch of the book. Stop by if you’re in the neighborhood. I mean, come on, it’s free beer.

On Saturday at 4, I’ll be reading one of the new stories from the book, as well as reading the great underground classic from 1947, banned for years: “The Aristocrats by Isaac Asimov.”

And all through the weekend, Patrick Swenson will be at the Fairwood Press booth, selling the hell out of the book. I’ll be there to sign books, skin, affidavits…

And if you can’t make it to San Diego, you can always order online:

Direct from Fairwood Press
Amazon
Barnes & Noble

How to get someone to blurb your book

I’m about to leave for Renovation, the 2011 World SF Convention, but I received a wonderful bon voyage gift from Patrick at Fairwood Press: the advance copies of  Unpossible and Other Stories, my collection that’s coming out this Fall, and now available for pre-order.

One thing I need to do at Worldcon is find people to blurb the book.  I hate asking for blurbs.  There’s nothing like shoving your prized possession into someone’s hands and saying, “Would you please take a moment to look this over?” to make you feel like a Mormon missionary, or that homeless guy who keeps finding dead squirrels.

But that book won’t blurb itself *, so I spent the last few days practicing at home, developing a sure-fire, 3-step process for getting that blurb! And I have named it…

Daryl’s Sure-Fire 3-Step Blurb-Getting Process

Step One: Make the product attractive.

Nothing beats a full-color ARC on real paper, with beautiful art. (This cover’s by Antonello Silverini, all-around cool guy.)  How can you say no to this book? You can’t, that’s how. It’s the slutty girl you had the hots for in high school, or the hot guy you had the sluts for, and they  just invited you over to their house while their parents are away on a couples retreat at Warren Dunes, but the important thing is, the house is empty–and they have Cinemax.

And look, it's already been pre-blurbed! This tells your target what kind of top-notch quoting you expect, and that if they don't like your book, there's something wrong with them.

Step Two: Include a bonus.

One thing I’ve learned from practicing at home — keep a bunch of dog treats in your pants. Reviewers GO CRAZY for ’em. If you don’t have dog treats, substitute with a hot Panini, or beer.

Allow your target to smell the product. And, if necessary, your butt.

Step Three: Don’t take no for an answer!

If your target insists that they are too busy to read the book, simply smack them with a rolled up newspaper.

Try to find blurbers who have all their teeth.

Thank me now, fellow writers! You’re guaranteed to have as much success as me!

Stony Lives!

A reader of Stony wrote me and said that I ought to make “Stony Lives!” posters. So, courtesy of the amazing Scott Godlewski (the main artist behind the first comic I worked on, Dracula: The Company of Monsters), here’s a recruitment poster for The Living Dead Army.

Shall we make T-shirts?

In other zombie news…

Del Rey did a lovely thing at Comic Con: they did a massive giveaway of my first novel, Pandemonium, and I sat and signed them for an hour and a half, all as a way of fooling people into buying copies of Raising Stony Mayhall. This scheme kind of worked. Mysterious Galaxy bookstore, which had a booth next door, sold out all their copies, including the copies that Del Rey gave them. Thanks to everyone who came by. Hope you dig it.

io9 recently ran an interview with me, “Why Daryl Gregory created a zombie messiah for Raising Stony Mayhall“. Just for the record, I know how to spell “xenophobia.” But the interview was done over the phone, so that word became the phonetic equivalent “zenophobia”, which as one commenter pointed out, may be a reference to my fear of Greek philosophers. I think it’s a reference to my fear of half measures. (Ha! That’s a Zeno’s Paradox joke. I kill me.)

Faren Miller recently reviewed Stony in Locus, and it’s been posted online. It starts with this:

Raising Stony Mayhall should add to Daryl Gregory’s reputation as a dazzling innovator, despite being set in an alternate history whose starting point comes from the realm of pulpish horror: the zombie invasion in Night of the Living Dead

and ends with this:

…in the terms of literary scholars, Daryl Gregory has ‘‘deconstructed’’ the familiar zombie story, providing a self-reflective ‘‘meta’’ take on it. Fortunately for the rest of us, Raising Stony Mayhall is also a fast-paced, exciting narrative laced with both humor and moments of pathos.

So that was nice. And a while later the San Francisco Book Review  appeared:  “In short, this is a remarkable book about what it means to be alive. It’s destined to be a classic. Read it and find out why.”

I like reviews that end in commands.

Pandemonium, the television show

UPDATE (8/4/2011): I’ve been contacted by NAME OF COMPANY of FAMOUS DIRECTOR to please not mention his name.  This, despite the fact that the news has been reported in Publisher’s Marketplace, which is read by the press, and the has been spread  all over teh internets.

So, please accept this redacted post:


Maybe. Perhaps. Probably not.

Publishers Marketplace just announced it, and Tim Pratt outed me on twitter, so I suppose I should acknowledge it here — FAMOUS DIRECTOR  (you know, that FAMOUS MOVIE TITLE guy? Who is brilliant?) and his company, NAME OF COMPANY, picked up the option for Pandemonium, with an eye toward making it into a TV show. This is just an option, the first step in a staircase of a million steps, and options that make it all the way to the small or large screen are the exception rather than the rule. The rare exception, I’ve been told.  So don’t get too excited, Mom.

And I know what you’re thinking — why can’t you just enjoy it when something positive happens? It’s in my nature to immediately pop any balloon of good news, but today I will merely deflate it a little, by inhaling its rich, helium like gasses, and then talk in a funny voice for the rest of the day.

–d

Burn Notice: The Stony Review Roundup

So, some reviews of Raising Stony Mayhall have popped into my mailbox this morning.

Library Journal gave it a star, and ended their review with this:

The author of The Devil’s Alphabet and Pandemonium has written a masterly tale of love that defies standard limits. Stony Mayhall emerges as a unique character, defined by the people who love him, at war with his own identity, and driven to create his own definition of “being human.” VERDICT Part superhero fiction, part zombie horror story, and part supernatural thriller, this luminous and compelling tale deserves a wide readership beyond genre fans. Highly recommended.

And Karen Burnham at SF Signal gave Stony a five-star review. She starts with “So where to begin? Well, let’s start with Stony, the best zombie character ever.” She discusses many of the plot elements, themes, and techniques of the book, but then says, “I don’t want to lose sight of the fact that Raising Stony Mayhall is also a lot of fun… He’s playing with the forms, asking questions that only parodists or satirists usually ask.”

And then she ends with this:

I suspect (and hope) that with the upcoming publication of Gregory’s first collection of short stories (Unpossible and Other Stories, Fall 2011), more thorough critical attention will be heading his way. More than many novelists, Gregory’s work not only withstands but grows richer with re-readings and sustained attention.

Last but not least, Kel Munger of the Sacramento News and Report. became so engrossed in Stony that he got a sunburn.

So the score this week  for those playing at home: One star, five stars, and intense solar radiation. I’m happy.