Just Do It. For Thelma.

It’s been a long, arduous road, my friends. Way back on November 3, 2008, Ken Fergason of Neth Space asked me the question that started the boulder rolling down the tunnel to smash through the stalagtites and stalagmites that are the barriers to success put in place by the face-painted, blowdart shooting publishing industry. You are that boulder. Or rather, your purchases are–or maybe they’re the tunnel. Anyway, I think you all know where I’m going with this.*

It’s December 15.  Do it for Thelma Day. Not since last month has the world watched so eagerly to see if one American’s call for change would be answered by a crisis-weary public. Some day your grandchildren will ask you, Grampa, where were you on December 15? And you’ll want to answer, In a bookstore, of course, buying Pandemonium. And then they’ll ask, Why are you crying, Grampa? And you’ll say, Because I’ve wet my pants again.

So many of you joined the cause and fought the good fight, perhaps not going door to door, as I repeatedly requested, but at least going online. Emily Balistrieri’s Thelma Day Support Group on Facebook reached 82 members. And several of you promised to buy the book if I would just stop calling at night. I thank all of you for your hard work.

But we are not done yet. December 15 is 24 hours long — longer if you count all those time zones. And we have to get a lot of people to the stores and online if we’re going to make this happen. So call your relatives, send email to strangers, and offer to drive that crazy cat lady to Borders. You can even offer to drive her back. Totally up to you.

The important thing is that there’s a woman in Maryville, Tennessee who for 43 years has watched her son fritter away his energy on science fiction. But now, like Oprah telling the nation that they didn’t have to be afraid of Cormac McCarthy, you can show my mother that she has nothing to be ashamed of. How? In the only way that counts in American letters: Huge, Boffo sales.

Do it for Thelma Day is upon us, and her dreams are taking off like Indiana Jones in a biplane.**

* Down hill?

** Thelma also hates snakes.

San Francisco Loves Thelma. But do you?

The San Francisco Chronicle just named Pandemonium as one of its 10 SF Holiday Books for 2008. This is positive news for Do it for Thelma Day, but frankly it’s not enough. The population of the earth is about 6.72 billion. And the Thelma Day supporting Facebook group is only up to 75 as of November 24.

Now sure, you may say that Thelma Day is about buying the book on December 15, and most of the globe isn’t even on Facebook. True, true. But as an indicator of planetary participation, it’s worrisome. And I don’t like to make Mom worry.

But we can turn this around for her. By the end of Thanksgiving weekend, if the Facebook group adds only, say, 20% of the world’s population — 1,344,000,000 people, give or take — can you imagine how proud Thelma will be?

I’ll be seeing Mom next Thursday for the big day. Nobody wants to see a grown woman cry.  So sign up your friends, pets, and ancestors for Facebook and the group, and let’s give Thelma something to be thankful for.

Write Now! No, wait…

I don’t usually write about my day job here. It’s web programming, if you want to know. And starting Monday I’m going to Philly for a week-long, 13-hour a day, programming concentration camp on the extreme reaches of .net — basically, Nothin’ but Semi-Colons for 65 hours. 

So, no fiction writing next week, which sucks, because I’m in the middle of editing the second book, Oh You Pretty Things and trying to get a couple short stories jump-started. After the World Fantasy Convention in Calgary a couple weeks ago I came back with the Eye of the Tiger, the Heart of a Lion, the Ants in My Pants, and other general animal metaphors for motivation. (The ants can only be killed by sitting down on them and writing for hours a day.)  

Why so motivated, Daryl? I’m glad you asked. At WFC  I got to hang out with writers and editors and publishers, have Writerly Conversations (Chris Roberson is my new guru of the bar stool), hang out with great friends like Heather Lindsley, Sam Butler, and Tim Akers, get career advice from Jonathan Strahan and Lou Anders, have fan boy moments meeting comics legend Bill Willingham (Fables, The Elementals) and Dr. Who writer Paul Cornell (who also writes Captain Britain, and possesses some weird power of hilarity which — without him having to speak at all — renders waitresses helpless). Then Heather finished reading Oh You Pretty Things and gave me particularly perceptive notes which made me want to sit down and start rewriting immediately. (Also, it’s embarrassing to be asked about a plot point and not be able to remember  — time to go back and see what I actually wrote.)

It was also a jolt to find out that people had been reading Pandemonium and liking it. The book was talked about it on panels — I found out the book had made the Locus Recommended Reading List for the year — a few luminaries were recomnending my short fiction. Then at parties editors were hitting me up to write stories for their anthologies.

This is deeply weird. I’ve been going to cons for a few years now feeling like a Spy in the House of SF, so it’s disconcerting to walk into a party actually knowing some of these people, and weirder, having them act like I belong there. 

So, I came back primed to write. And then got almost nothing done as I caught up on the day job. 

However, a few good things did appear on fiction front. First, the New York Review of Science Fiction, one of the oldest (the oldest?)  and well-regarded and — get this — print  magazines for criticism in the field ran a pretty damn nice review of Pandemonium. Greg Johnson said the book

…swims confidently against the tide of grand space opera and epic fantasy that dominates much of current science fiction and fantasy. And like the Minister Faust novel [mentioned earlier in the review] is the work of a young writer willing to play with the conventions of science fiction and fantasy and turn them in to a fresh, new vision of the world we live in. (Full Review)

That’s right, baby. Young writer. Which is true, career-wise, but when you’re 43 it’s always nice to sound like a young turk. 

Also last week, Aaron Hughes of the Fantastic Reviews website ran the long rambling interview we did when I was in Denver for WorldCon. I cringe at some of my run-on sentences, the points that don’t quite come to a point, etc — but you can certainly tell it was done in person and that I was having a lot of fun talking about myself. Oh, and you can read Aaron’s review of Pandemonium that he ran earlier in the year.

Okay, I’m out of minutes again. It’s time to put on my programmer hat. See you on the other side, people.

Do it for Thelma on December 15

The other day I answered Five Questions over on Neth Space. Ken Fergason dares to ask the questions no else dares to, such as, “If JoePa were a demonic archetype, what role would he play in your fiction?” 

Question #5 was this:

 

Why should Pandemonium be the next book that everyone reads?

DJG: Do it for my mother. When I started my writing career, she said, You know what you ought to do, DJ? (My family calls me DJ.) You should write a best-seller.This seemed like excellent advice. But how to execute it?

Your question, Ken, points the way. If everyone—and I mean everyone, each man, woman, and child on this planet, plus any Russians and billionaires currently in orbit—makesPandemonium the next book they read, then my mother’s dream can become a reality. You don’t even have to read the book, you just have to buy it. Let’s pick a day in December. December 15th. On that day, go out or get online and buy a copy for yourself and one for any relative that is bed-ridden and/or computer illiterate.

Come on, people, we can do this. If we can just put aside our petty excuses—for example, that you don’t like science fiction, or that you don’t read English, or that your refugee camp doesn’t have a decent internet connection—if we can just stop all that whining for a minute and buy my book, then, finally, my mother, Thelma Gregory, will know I’m a success. For more information on Do It For Thelma Day, see my website.

And now Emily Balistrieri, a woman I’ve never met before, has started a facebook event group called Buy Daryl Gregory’s Pandemonium Dec 15th.  There are already 21 members, some of whom aren’t even relatives. Emily is also blipping it. It’s an Obama-like groundswell of support, people!

We are only a billion or so buyers short of making my mom’s dream a reality. So join the group, blip the event, buy a book on December 15, and make a grown woman cry. With happiness. 

Do it for Thelma

 

Breaking Glass

“Glass,” a very short story of mine about psychopaths, mirror neurons, biochemical consciences, and very sharp screwdrivers, has just been published on the Technology Review Magazine site. You can read it for free on the site or (I don’t know why you’d do this) wait for the print version to come out. 

Technology Review, published by MIT since 1899 (when steam was king and “hot technology” was no metaphor), is a magazine and now website that, well, reviews technology. But every so often they invite science fiction writers to lie to their readers. It’s kind of a reciprocal agreement — for years the site has provided one-stop shopping for near-future Sf writers looking for the next new geegaw to pin a short story to. 

I’m honored that “Glass” is being run side-by-side with Algis Budrys’ The Distant Sound of Engines, first published in 1959. Budrys, who died this past June, was one of the most influential writers and teachers in SF.  He certainly influenced me — I read his novel “Who?” in 7th grade and was blown away. Also in the issue is Mark Williams’ excellent essay, The Alien Novelist, which discusses the impact that the man had on SF.  

And while you’re on the site, look up previous stories, such as David Marusek’s Osama Phone Home. Cool stuff.

Phone call from 1952

At least, that’s what it sounds like. My phone-in interview on Fictional Frontiers with Sohaib, the Philly radio show on WNJC-1360 AM, is now available in podcast form. You can listen to the full show, or download just my 15 minutes of radio fame (12mb MP3).

Sohaib, speaking from the studio, sounds great. Me, I sound like I’m barking through a time vortex using nothing but a Bakelite handset, rusty magnets, and a hand crank.

But I actually had a lot of fun talking to Sohaib. As I mentioned in a previous post, he was scarily enthusiastic about Pandemonium, and we talked about genre-bending, Philip K Dick, and how much I look like Christian Bale. (Actually, only I brought that up.)

But listen to the whole show, where he talks to some comic writers, including the legendary Jim Shooter.

Demonium Panned!

Finally, a chance to use that headline. 

After all the really nice reviews of Pandemonium—like two I ran across this week, A.M. Dellamonica’s at Sci-Fi.com and Faren Miller’s at Locus—I finally found one that was negative. No, negative’s too weak a word. The reviewer, from a site I hadn’t run across before called Static Multimedia, found the book to be repulsive, depressing, disorganized, meaningless, and “void of goodness.” 

But why summarize? Reviewer Liese Cope says it best:

Pandemonium is void of anything inspirational and is not very thought-provoking.  It seemed to be a jumbled mess of ideas and questions that never have any resolution or sometimes even any point.  The book was also very depressing.  There seems to be no hope and no sign of good.  When dealing with the concept of demons (normally thought of as an ultimate evil) a reader desires to see that there is some goodness left in the world.  However, this whole book is void of goodness and faith in humanity.  In fact, even the “nun” who “helps” Del along the way is a cussing, violent, angry, and an impure person. The one person who would be expected to be a form of hope and goodness is very twisted, just like the book.

It’s obvious Pandemonium wasn’t written to be the feel good novel of the year, but if a book is going to be that depressing and utterly serious, the author usually owes the reader some glimmer of hope or some gem of wisdom that can be taken away. Unfortunately this book is void of both.

The key word seems to be “void.”  

However, you really need to read the entire review to understand that not only is the book bad, but that I am evil, too.  “Pandemonium just gives excuses for people’s actions, adding to the ‘not my fault, not my problem’ society we are living in. Ultimately, I [sic] Gregory tore down the integrity of humanity, showing them as nothing more than empty boxes for demons to fill and take total control over at any time.” 

I (Gregory) was really hoping that no one would notice the integrity-tearing thing, much less the void of hope glimmers and wisdom gems. But you can’t fool all the critics all the time.

Get to know the Right People

If you love yourself — and you know you do — give yourself a treat and read Adam Rakunas’ slightly lewd and very funny story, “The Right People,” appearing now at Futurismic. I love this story. 

Now back to me, and my obsession with self-promotion.

So a couple weeks ago I recorded an interview with Sohaib, the host of the Philadelphia radio show, Fictional Frontiers. I had a great time, and Sohaib was scarily enthusiastic about Pandemonium. You’ll have to listen to the interview to hear who he’d pick to direct the film version. 

You can hear me stumbling over my words this Sunday, October 12, at 11am eastern, on WNJC 1360AM (“Philadelphia’s Renaissance Radio Station” — though I have it on good authority that radio in the Renaissance sucked. The reception was terrible.).  If you don’t happen to be living in Philly, you can hear a live stream on the web. A podcast of the show should be availbable about a week after that — I’ll post the link when I have it. 

Meanwhile, if you want to see  me stumble over words, Matt Staggs of the very cool Enter the Octopus blog interviewed me, and he got me to confess to several things — what I really think of archetypes (and the dolphins who write about them), why Philip K Dick forced his way into my book, and who is the hottest chick that I’ve ever made into a fictional character.

Two Notes, one reflection, and some noise

Notes from the Narrative Whiplash Wing

My brain still smarts from the gear change I put myself through in August. First I turned in a 95,000-word draft of the second novel to my editor at Del Rey, and then after WorldCon I started work on a very short story — maximum length: 2,000 words. A couple days ago I finished what I think is the final draft of “Glass”, a tale of mirror neurons, drugs, conscience, and psychopathic prisoners that squeaks in at 1,900 words. In about a month it’ll be appearing on the web and print editions of Technology Review Magazine. Not my usual venue, but I was pleased as punch that assistant editor Erica Naone invited me in. 

Oh, and my story “The Illustrated Biography of Lord Grimm” will be out next month in the original anthology Eclipse 2, edited by Jonathan Strahan. The table of contents is chock full of loveliness. 

(Cliff) Notes from the “I’ve Got Class” Department

Thanks to a connection made by My Favorite Nephew (Stephen Delafield, son of my good friend Gary, who earned that title years ago when the boy worked at Barnes & Noble and I heard that relatives could receive his employee discount), I was invited to inflict myself on a couple of creative writing classes at Penn State. So on Tuesday this week I woke up early to talk to the students of the poet Camille-Yvette Welsch. Evidently, and I’m a little shocked at how far standards have fallen since I was in school, there are college students who sign up for creative writing classes that meet at 8am—and show up for them. This just wasn’t done in my day. I excpected nothing but slack jaws, but really, the students were lovely, and asked a load of questions, from “how do you start” to “how do I find an agent” (answer: Go to a sci fi convention, kid, and walk into the hotel bar). I also read the opening scene of Pandemonium, as well as the short story “Unpossible”  — though with the second class I ran out of time before I could finish — donk. 

Noise from the Blog-Rhymes-with-Flog Echo Chamber

Reviews continue to roll in on Pandemonium, and jiminy, people are being nice. Here’s the latest from the San Francisco Chronicle, Chris Roberson, the Kansas City Star, ConNotationsMatt Stagg and the Watha T. Daniel Library (!). And for you Spanish-speaking folks, here’s a review by the coolest Colombian editor I know, Hernán Ortiz of Proyecto Liquido. 

And of course, I keep talking about myself. 

In the September edition of DRIN — the Del Rey Internet Newsletter — I opine about “plus 1” stories and why I think Pandemonium is one. On Sci-Fi Wire I talk some more about myself. More online interviews are on the way. And in October I’ll even have a radio interview to talk about.  It’s a Festival of Me. 

Daryl on WPSU's Bookmark

In the WPSU studios, avec book and cheesy smile

 

Reflections from the Meta Mirror Room: State College Writers on State College Writers

Finally, flogging someone else’s book.

Back in May, 2008 I recorded a review of James Morrow’s The Philosopher’s Apprentice for the Bookmarks program on my local public radio station, WPSU

You can listen to the MP3 of the review.

The Pandemonium Synopsis vs The Ruthless Red Pencil

Friend and fellow-writer Joshua Palmatier has been organizing a pretty cool series of projects that are of interest to new writers, or anyone else curious about the unseemly sausage-making process that is book selling and publishing. First there was the Plot Synopsis Project, in which Joshua invited writers to post up the synopses of their books all on the same day, followed by the Query Letter Project. Now there’s Plot Synopsis Project Part 2, which I jumped on board for.  All the posts went live on September 19.

On my main site you can find four drafts of the Pandemonium synopsis. Why four? because it took me that long to do it adequately. And the only reason I know it was adequate is that I eventually found an agent and the book sold—so at the very least, the synopsis didn’t sabotage the novel entirely. 

Other writers participating in PSP Part 2: